Posts Tagged ‘television’


Yes Virginia, There is a Company Brand in that Email

Wednesday, January 19th, 2011

by Rich Gallitelli*

Yes, Virginia - CBSWe just concluded yet another holiday season full of new widgets which most of us didn’t even dream about a generation ago.  Yet, despite all these technological advancements, I am still drawn to the famous editorial that appeared in the New York Sun way back in 1897. “Yes Virginia, there is a Santa Claus” is the famous line in Francis P. Church’s reply to young Virginia O’Hanlon’s question, a reply which has become the most reprinted editorial in history. 

The Sun was the main rival of the New York Times for more than half a century. Its famous masthead was featured in the Oscar-winning movie “The Godfather.”  It was even the first newspaper to hire a full-time fashion editor, Eleanor Hoyt Brainerd.  And its “Crime on the Waterfront” feature, by Sun writer Malcolm Johnson, won the Pulitzer Prize for local reporting and became the impetus for another Oscar-winning movie: 1954’s “On the Waterfront.”  But, what is most synonymous with The Sun, more than anything else accredited to the newspaper, was that charming, reassuring editorial.

“Yes Virginia, there is a Santa Claus” inspired among other things, a 1974 Emmy-winning animated television special, the Virginia O’Hanlon Scholarship from the The Studio School in New York City, Macy’s 2010 Christmas campaign, and the countless hearts of our inner-children. In effect, the editorial became synonymous with The Sun’s brand. And that got me to thinking… In this age of emails, tweets, blogs, and general interconnectedness, client services and their interactions with their clients have now become their company’s brand and how it is conveyed to others. 

In my previous blog post, I extolled the virtues of product knowledge.  And, while product knowledge does instill the trust between the client and the client services representative, how you answer your emails and the questions posed to you over the phone is just as important. The manner in which you convey your knowledge through your speech and grammatical tone promotes and broadens or hinders the appeal of the company brand. In essence, employees serve as brand ambassadors. If you are armed with product knowledge, take ownership of problems, and convey ideas politely – you can easily take on the challenges of today’s interconnected business world and exceed the expectations of clients. Now, think for a moment, how many times you have dealt with not just a rude representative, but a curt representative, an unsympathetic representative, or someone who passed you along to various individuals. How poorly did that affect your opinion of that company? Not a company you want to deal with, right?  Yep, I would be dreading that phone inquiry too!

Anne Sauvé of Anne Sauvé Marketing Communications has stated, “I’ve always believed in the sheer power of ‘living the brand’ internally, which is where effective employee communications can play such a powerful role.” She goes on to say, “No matter how good a job you do at building your brand in the marketplace, it will all fall apart if your employees are not engaged and part of that brand – without them you have no brand.”

Perception is reality.  And the reality is that a company’s client services is an extension of the company’s brand.  It is not the first line of defense; rather, it is the arm of diplomacy after the company’s marketing and sales efforts have taken hold. Today’s companies have to be more than what they offer. It may sound insignificant, but a half-hearted email or a lousy tone on the phone becomes the reality by which the company will be remembered.  Yes, we all have bad days and we all suffer from stress.  Yes, we even deal with a client or two that we can’t possibly please.  Hard to believe, isn’t it?  But, the client isn’t just going to remember the bad or rude employee; they are going to remember the bad or rude employee from “company X.”

So the next time you reply to an email or phone inquiry, remember, you are not just an employee; you are the company’s ambassador for its brand. Take an extra five minutes to go over that email that addresses a difficult problem.  That response and the manner in which it is written is the company’s solution, not yours, and embodies the company’s brand when the client reads it. In essence, the brand takes a journey through cyberspace to build itself up further in the marketplace.  The same thing applies when addressing the difficult problems on the phone.  Perception of how warm you are is the reality of how you are as a representative and how a company is as a whole.  Because, “Yes, Virginia” … as the ambassador for your company’s brand, your actions greatly affect how your clients feel about the company. Simply put, would you want to speak to you on the phone?

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*Bio: Richard Gallitelli brought a wealth of sales and customer-service experience when he came to BurrellesLuce in 2007. His outstanding performance as a sales associate and personalized shopper for Neiman Marcus (he also has worked for Nordstrom) earned him a nomination by Boston magazine as “Best of Boston” sales associate for high-end retail fashion stores. Rich’s talents also won him praise and a profile in the book, “What Customers Like About You: Adding Emotional Value for Service Excellence and Competitive Advantage,” written by best-selling business author Dr. David Freemantle. Rich majored in English Literature at William Paterson University, and is a published poet and short-story writer. Facebook: BurrellesLuce Twitter: BurrellesLuce LinkedIn: BurrellesLuce 

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The Music Business Rocks On… Shrugging Off Internet Challenges From The Past

Wednesday, October 13th, 2010
Image Source: The Age.com.au

Image Source: The Age.com.au

Over the last 10 years the music business has resembled the “boy” in lyrics from any of the countless number of songs written over the years about “boy meets girl,” “boy loses girl,” and/or ”boys falls back in love with girl.” The music industry has been in a tailspin since 1999 (coincidentally the same year Napster was spawned). The advent of peer-to-peer services caused massive music piracy and, with free music just a click away, proved to be the direct blow that would send CD sales plummeting and ultimately crippling a once very profitable industry.

However, the music business seems to have bottomed out and actually managed to grow over the last two years (the entire British music business grew 5 percent from 2008 -2009). One way it has managed this is by returning to its roots – live performances. When I attended my first concert, (Ozzie Osborne –  What was I thinking?), I had no idea at the time Mr. Osborne, for the most part, was touring as a way to market his new album. Although I would like to think the bands I saw back in the day were there because they truly enjoyed playing live (I’m sure some did), the concert was more of a live commercial to promote their new albums and get people to buy them.

These days’ bands are touring again to cash in on booming ticket sales (with top acts commanding over 100 dollars) and are laughing all the way to the bank as they play in front of sold out crowds. “Many of the acts selling out stadiums are old,” says Rob Hallet, the president of international touring at AEG Live. The top three American touring acts last year were U2 (average age: 49), Bruce Springsteen (61) and a double bill of Billy Joel (61) and Elton John (63). All have contributed to a surge in ticket prices – tripling from $1.5 billion in 1999 to $4.6 billion in 2009.  It’s not that more people are going to live performances, but rather paying more per ticket. According to Pollstar, a research firm that tracks the market, the average ticket price should be $35.30 today if they increased in line with inflation. Instead the average price of a ticket costs a whopping $62.57.

Bands not only are relying on live performances. They also are looking to alternative revenue streams to help mitigate the drop in CD sales, such as merchandising, sponsorships, online streaming and emerging markets. One area that is booming is publishing. Music’s best customer is television “Watch any evening’s worth of TV and count how many times you hear music in the background,” says Jeremy Lascellas, chief executive of Chrysalis.

If the music business could figure out a way to share a synergistic relationship with the Internet, other forms of media and entertainment can surely learn from their long strange trip. Although the music industry is relying less on CD sales and more on alternative revenue streams – one thing is certain: people continue to pay a premium for quality content regardless of whether it’s coming from a 3-D movie screen ($20 average price per ticket in New York) or Mick Jagger’s 67 year old vocal pipes.

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Big Media, Mass Media, New Media – Oh My!

Friday, September 10th, 2010

A few days ago, I read NYU journalism professor Jay Rosen’s inaugural lecture to the fresh crop of future journalists at Sciences Pos School of Journalism in Paris. I’m not going to recap the historically rich (and lengthy) address, but will borrow a piece or two for the purpose of discussion here. (Note: his post can be found here if you’d like to read it in its entirety.)  This address was directed to future journalists, but I think public relations practitioners that deal in media relations, can learn from it just as well.

Rosen began with a clip from the 1976 movie Network, which is about a TV news anchor who begins to act out on the air. I realize this was before many of you were born, but please take a few minutes to watch what is probably the most well-known scene in the film.

Rosen believes the filmmakers are “showing us what the mass audience was: a particular way of arranging and connecting people in space. Viewers are connected ‘up’ to the big spectacle, but they are disconnected from one another.” He explains, “But Howard Beale does what no television person ever does: he uses television to tell its viewers to stop watching television. When they disconnect from TV and go to their windows, they are turning away from Big Media and turning toward one another. And as their shouts echo across an empty public square they discover just how many other people had been ‘out there,’ watching television” – concurrently yet disconnectedly. 

I agree with Rosen’s belief that this clip clearly demonstrates the great event we are living through today: the breakup of the mass audience and the shift in power that goes with it. What if today’s TV personality acted like Howard Beale? Rosen answers: “Immediately people who happened to be watching would alert their followers on Twitter. Someone would post a clip the same day on YouTube. The social networks would light up before the incident was over.  Bloggers would be commenting on it well before professional critics had their chance.” 

Cases of where citizens beat journalists to the punch are numerous but a few off the top of my head are: the Mumbai attacks, the Hudson River plane landing, or more recently the Discovery Channel hostage situation.

Rosen goes on to explain, “The media world today is a shifted space. People are connected horizontally to one another as effectively as they are connected up to Big Media; and they have the powers of production in their hands.”

The digital revolution changes the equation, according to Rosen. “It brings forward a new balance of forces, putting the tools of production and the powers of distribution in the hands of the people…”.

From my media relations standpoint, this means the days of blasting out a press release to every big (or small) media outlet are rapidly coming to an end. NO, I’m not saying big media is dead, nor is the press release (sheez, don’t get me started!)

What I am saying is that PR agencies, public relations practitioners, branding/marketing folks, small business owners, etc. now, more than ever, have additional opportunities to reach out to their publics in multiple ways – connecting with their individual audience(s) – and each other wherever they hang out.  Big media and small media alike are still very much part of that equation, but now there are even more possibilities.

That’s my takeaway from Rosen’s speech and the clip. What is yours?

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American Television Creating Global Brands Through Overseas Expansion

Wednesday, May 5th, 2010
Image: Collider.com

Image: Collider.com

On a recent trip to Colombia (South America), after a long day of sightseeing, I thought I’d switch on the TV with the hope of maybe catching an American baseball game … Instead, I found an episode of MTV Network’s “Jersey Shore.” As if it wasn’t surprising enough that this show recently became a television phenomenon in the states, I found out it was also number one on pay television in Colombia amongst 18-24 year olds, as well as in Mexico.

American television companies are penetrating international markets at a rapid pace and are leveraging multiple platforms, turning their creations into global brands or “multi platform franchises.” “Transmedia storytelling,” where multiple platforms are used to create varying entry points to the story while sticking to the main narrative, is a huge contributing factor in expanding these franchises. Additional revenue, created by linking video and computer games, mobile devices, and websites to the show, in turn helps entertainment companies offset high production costs. “Once people fall in love with a brand they want to interact with it in all sorts of ways,” says Tony Cohen, the head of Fremantle Media.

Transmedia storytelling is nothing new to entertainment – movie studios have used it for years making Spider-Man and Harry Potter as recognizable worldwide as Coke or McDonald’s. Avatar, Hollywood’s biggest blockbuster hit of 2009, grossed $747 million in the states and a whopping $2.7 billion worldwide, surpassing Titanic’s overseas box office record.

McDonald’s created Internet- based games and a sweepstakes around Avatar that included a private screening of the film among other prizes. “They’re realizing that the demographic they’re targeting isn’t using traditional media as much as they used to,” said Jeff Farmer, an analyst at Jefferies & Co. in Boston.

As the Vice President of media and entertainment at BurrellesLuce I follow the television and movie industries very closely. A little break while traveling abroad would be nice, however, “Hollywood” seems to be everywhere these days.

What do you think? Is Hollywood and U.S. television over saturating the digital space? Are you using “transmedia” to engage and connect with your audience? What industry beyond entertainment do you think has crossed over with an effective use of transmedia public relations, marketing or advertising?

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Shared Experience Becomes Experience We Share

Tuesday, February 16th, 2010

Bill Hiniker is principal at MessagePoint Communications, a writing and consulting practice specializing in corporate and executive communications.  He blogs at http://www.messagepointblog.blogspot.com/ and can be reached at messagepoint@cox.net.

Instead of being a “shared experience,” TV is quickly becoming “an experience we share.”  That observation, made on a recent episode of NPR’s always-enjoyable Culturetopia podcast, really rings true for me.

I’m a first-generation television kid and am old enough to remember when the television dial was really a dial with 13 numbers. There were just three networks plus an educational channel and an independent channel or two that mostly showed old movies. Miss “The Twilight Zone,” “Ed Sullivan,” “Laugh-In” or, later, “Saturday Night Live” and you risked being left out of the lunchtime conversation. 

That was pretty much the way of the world until the first video recorders began appearing in homes and offices in the 1980s. Almost overnight it became possible to borrow a missed episode of “Cheers” from a coworker who hadn’t forgotten to set his VCR (as long as he didn’t have a Beta machine).  

This opened up a whole new world for communications professionals. Suddenly it became possible to record, copy, and share cassettes of the annual meeting or positive media coverage with employees, customers, and other stakeholders. 

Fast forward a decade or two and digital technology made it possible to post videos on company websites and e-mail links – or even short clips – to your key publics. Even more importantly, you could forward clips of cats playing the piano or bears catching fish to your friends.

 

Technology has continued to advance at warp speed. You can now see most of your favorite shows online or buy them for a couple of bucks on iTunes. More than 65,000 videos are posted on YouTube every day. And someone somewhere almost certainly watched the Super Bowl on his cell phone.

With more than 100 million viewers, the Super Bowl is one of television’s few remaining shared experiences, something almost everyone watches at the same time. Maybe Michael Phelps swimming at the Summer Olympics or the finale of “American Idol” also qualify. I’d like to hear your nominations. 

So what does all this mean for professional communicators? 

In some ways it makes our jobs harder. We have more channels to monitor and more competition for people’s attention than ever before. We have to do a better job of training, prepping, and equipping our spokespeople, because screw-ups can live on and on in cyberspace. And we’ve got to be more prepared than ever to respond quickly, effectively, and creatively to disasters, rumors, and PR challenges that didn’t even occur to us a few years ago.  Bad news can go viral faster than you can bathe in a KFC sink.

On the opportunities side of the ledger, we also have more tools at our disposal than ever before. We can respond to negative press overnight or, ideally, even quicker. We can set up dedicated YouTube channels, as Best Buy, Mercedes Benz, Apple and hundreds of other companies have done.  And we can get the word out – from executive speeches to news clips – faster and to a broader audience than ever before, with a few mouse clicks.

Six decades after television took over America’s living rooms, its power to communicate, persuade, and entertain continues to grow.  What are you doing to tap into the power of television in the social media age?

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