Posts Tagged ‘Harry Grapenthin’


Pretty soon you won’t be able to tell the difference between Fox and Hulu, HBO and Netflix, or CNN and YouTube.

Monday, January 23rd, 2012

sneetchesThe recent jockeying for position and struggle to find an identity within the crowded and competitive world of network, cable, streaming video, and online television reminds me of one of my favorite Dr. Seuss stories, The Sneetches. The Sneetches were a group of yellow creatures, some with green stars on their bellies (a sign of distinction) and some without, until a character named Sylvester McMonkey McBean offers those without stars a chance to add them by going through his Star-On machine. In order to stay special the Sneetches formerly with stars happily pay the money to have them removed in his Star-Off machine. Ultimately this escalates, with the Sneetches running from one machine to the next, and to quote the good Doctor,

“until neither the Plain nor the Star-Bellies knew whether this one was that one… or that one was this one or which one was what one… or what one was who.”

The last few month, the news out of the “television” world has been very Seuss-like to say the least:

At this year’s winter TV press tour Kevin Reilly, entertainment president, Fox Broadcasting Company, revealed that his network plans to use web content as a development tool for the airwaves. “Something that starts in digital could be the next big primetime hit… We have an expertise, and a history, and proficiency, and a primetime audience base,” he confirms in this Atlantic.com article about 5 Ways the Networks Want to Change How You Watch TV. Reilly goes on to use Web Therapy starring Lisa Kudrow (of Friends fame) as one example of a web-only series that has successfully made the switch and is now aired on Showtime.

In an effort to kick start their declining subscription base, Netflix is beginning to act more like a network rather than your average streaming video provider. By jumping into the original programming waters, Netflix plans to release three new series in 2012 – starting with Lilyhammer, a crime comedy set in Norway’s former Winter Olympics headquarters, starring The Soprano’s Steven Van Zandt. Not to be outdone and fresh off a year where they realized 60 percent revenue growth in 2011, the web streaming service Hulu is launching its first ever original scripted series. Battleground, a mockumentary series described as “The Office meets The West Wing, premieres February 14, explains, this opinion brief on TheWeek.com.

And remember when YouTube was just a site where you could watch short clips of people doing funny and unusual things? Well, last week Reuters joined CNN and the BBC by unveiling its own channel to be shown on the popular video sharing site. The channels will show original content from Reuters on YouTube, which will allow them to leverage an army of over 3,000 reporters worldwide.

I doubt all the players involved with getting content to the masses will end up in blissful harmony like our friends the Sneetches, but it should be fun watching them run from one machine to the next having their green stars removed and re-added over again.

What are your thoughts? Please share them with me here on BurrellesLuce Fresh Ideas.

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Christmas Tunes, an intentional time warp or just merry messages from yesterday’s Golden age of Radio and TV?

Friday, December 23rd, 2011

I can’t remember where I heard this season’s “first” Christmas pop song. But like hearing the first birds of spring, suddenly there it was blaring from some outdoor mall or airport …and before the World Series was even over! So why is it that songs about a reindeer’s red nose, silver bells, or a dream of a white Christmas fill our ears year after year (whether we like it or not)? I love these songs and I have fond memories of these songs as a kid. I’d just prefer to remember them from a time where I was butchering them in a school play or caroling door to door, rather than hearing them in these public places.

Christmas classics like Drummer BoyRudolph the Red Nosed Reindeer, Silver Bells, and Blue Christmas have been playing in retail stores, gas stations, hotel lobbies and over the radio waves for more than 60 years. Recently, these songs and many other holiday pop classics were highlighted in a popular web comic strip XKCD. The illustration points out that many of these songs, as well as other Christmas blue chip classics, were published and recorded around the 1940s and 1950s. Hint, it’s the baby boomers that we have to thank for keeping these songs in the mainstream for so many years.

Eric Harvey, a PhD candidate in Indiana University’s Department of Communication and Culture claims during a very specific time in American history (1940s and 1950s), culture and technology played a big role in the release of many of these holiday classics. During that time millions of young baby boomers were enjoying holiday films like Bob Hope’s the Lemon Drop Kid which gave us Silver Bells, and Bing Crosby’s Holiday Inn where he famously croons as a WWII soldier returning home with “I’ll be home for Christmas.” In the late 40s radio began to converge with TV and it was commonplace for families to be huddled around their living rooms enjoying holiday musicals, the songs forever etching memories of Christmas past in their minds.

With over 76 million babies born between 1945 and 1964 (who today make up more than half of all consumer spending in the US), it’s no surprise these songs are being used intentionally by retailers to recreate Christmas past and market to today’s multigenerational audiences – hopefully stimulating spending around the holiday season.

Harvey also points out, however, that “While it’s true that the majority of Christmas pop music played on mainstream radio stations was originally published and recorded in the 1940s and 50s, and naturally the culture of that time will permeate these songs, that does not directly equate to a modern nostalgia for that era.” In other words, what if you’re not a baby boomer? What if you didn’t see the movies, the TV show or are just too young to identify with these songs?

With the sheer repetition of these songs being played during today’s stressful holiday seasons, will these songs eventually condition us to equate them with long lines, holiday traffic or the dreaded visit from you’re annoying brother-in law? Very doubtful. After all, every generation has their favorite Christmas songs, and with today’s limitless choices and devices to hear them, it’s sure to be a Rockin’ Holiday Season for all generations! My personal favorites are Father Christmas by The Kinks, Greg Lake’s Do You Believe in Father Christmas? and Joan Jett’s Little Drummer Boy. What are yours?

Happy Holidays from all of us here at BurrellesLuce!!

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Google Reinvents TV: YouTube Ad-Supported ‘Channels’ Bring Internet Television Closer to Reality

Wednesday, November 30th, 2011
WordPress Image: SierraAshley
WordPress Image: SierraAshley

How much exposure does one person need? I have my own Facebook page to post personal updates and photos and my own Twitter handle to speak my mind in “real time” — so why not a 24-hour “TV” channel, aka “The Harry Grapenthin Channel,” dedicated to my content (or lack thereof)?

As frightening and ridiculous as this sounds, Google continues to work hard at making this a reality (no pun intended). Rewriting the rules of television, Google has made it vividly clear how it intends to pursue its piece of the TV advertising pie. As a follow up to Google TV, the search engine giant recently announced it will be offering a software package that allows you to search the Internet for interesting things to watch and plans to launch 100 new advertising supported “channels” for its YouTube online video service, confirms The Economist. (Madonna, Shaquille O’Neill, and Jay-Z are some of many celebs already signed up to provide professional content). Just when we thought there were too many channels on cable TV, a channel per person or topic could mean millions more popping up on the Internet.

But what about live sports you ask? Google has that covered too. In fact, last month Google dipped its toes in the “live sports” waters for the first time when it announced the future launch of seven sports channels, including one that will feature programming from Major League Soccer. “What you’re seeing is a bit of a tip of the iceberg, explains Brian Bedol, a cable industry veteran who founded Classic Sports Television in 1995, in this Sports Business Daily article. “This is where the young male demographic gets more and more of its entertainment. If you’re in sports, you need to be looking at how you’re delivering sports over the Internet.”

Whether we get our television from networks, cable providers, satellite providers, online providers or “fill in the blank” – one thing remains the same, television content, as we know it today, continues to be in high demand and still commands huge advertising dollars … whether this continues remains to be seen. However, Google is betting that it does.

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Michael Arrington of TechCrunch tells AOL, ‘Give us back editorial control or turn us loose’

Wednesday, September 7th, 2011
Wall Street Bull

Flickr Image: Craig S.

Michael Arrington, founder of TechCrunch, a blog focusing on technology startups, continues to cause quite a stir in the journalism world. Arrington announced last week that he is starting his own fund (CrunchFund), with the help of AOL, that will invest in small startup companies and has been under a barrage of criticism, mostly from journalists, for this unique arrangement.

Their main complaint is that Arrington, and other TechCrunch writers, can use the site, a highly trafficked blog ranking number 2 on Technorati’s list of Top 100 blogs (as of today), to potentially post comments and promote the same companies his fund holds positions in. 

As reported by Claire Cain Miller in the New York Times, the journalism world is claiming this type of arrangement violates the covenant of all journalism; reporters should avoid conflicts of interest by maintaining distance from the people, organizations and issues they cover. And, once again, fuels the debate over whether bloggers should be held to the same standards as journalists.

(more…)

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Artists and Record Labels Are At It Again … This Time It’s For Keeps

Wednesday, August 24th, 2011

the doors at the whiskey a go go - Google ImagesThis past weekend I was lucky enough to catch the Sunset Strip Music Festival in LA.  Seeing Motley Crue and Public Enemy, playing live outside on the Strip, and The Doors, live at the Whiskey A Go- Go, where they started as a house band in the 60’s, (with David Brock on vocals doing a mind blowing rendition of Jim Morrison), was truly an unreal experience … and just what I needed. Working with the major music labels for the last eight years and following this beleaguered industry from the business side, I always rely on some good-old live, loud music to quickly put things back in perspective for me.

Last week the New York Times wrote an article reporting on yet another potential crushing blow to the music industry, a little known revision to a copyright law from the mid-seventies, dealing with musical artists regaining rights to their songs. Basically the law grants artists “termination rights,” allowing the artists to regain control of their work from the labels, 35 years after the songs release, provided they file the proper forms two years in advance.

“The recording industry has made a gazillion dollars on those masters, more than the artists have,” said Don Henley, a founder both of the Eagles and the Recording Artists Coalition. “So there’s an issue of parity here, of fairness. This is a bone of contention, and it’s going to get more contentious in the next couple of years.” Some big names released in 1978 and eligible to be granted termination rights in 2013 include, Bruce Springsteen’s “Darkness on the Edge of Town,” Billy Joel’s “52nd Street,” and the Doobie Brothers’ “Minute by Minute.

This will be a bone of contention for years and will certainly wind up in court and in the hands of lawyers, some of whom I’m sure were rockin’ right alongside me. Thirty-five years is a long time, but after seeing these bands perform over the weekend with passion and energy, sounding better than ever, something tells me they’re not going away anytime soon, and thank goodness!

Listening to bands tell their stories between songs during the festival reminded me of how this whole thing started and why it’s all here in the first place…and never a  mention of words like copyright or piracy. I say avoid the legal fees, pay the artists instead and let Don Henley go back to singing with his Eagles band mates.

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