Posts Tagged ‘Disney’


An Extra Dimension Brings Additional Revenue to Entertainment Industry

Tuesday, February 7th, 2012
Andrea Corbo*

Beauty and the Beast 3DThe 3D movie fad is nothing new. Yet, after the 2011 re-release of The Lion King in 3D the fad seems to be getting bigger and bigger. With an increased number of 3D movie releases in theaters, I can’t help but notice that so many are just old movies that are being re-released. What a genius way to create profit! These movies wrapped production years ago, factored in budgets years ago, and already generated revenue for movie tickets and home sales. Now, to add a twist to them with minor post-production changes, 3D movies are creating a whole new field of easy revenue.

This being said, I’m not completely sold on the 3D idea. I don’t like when the movie is so 3D that objects are jumping in front of my face or when I start to feel motion sick. Yet, with the older movies that are now being converted to 3D, I’ve learned they aren’t as “3D” as we know it, but rather a layered look and 3D true to its definition.

Recently I went to a 3D showing of my old favorite, Beauty and the Beast from 1991. After the initial embarrassment of putting on the huge 3D glasses, I got to really enjoy the viewing. I remembered some dialogue by heart and was pleased that the beast wasn’t flying out into the theater to greet me. All in all, it was a positive experience where I took time aside to view a classic in its entirety.

Will I go see Titanic 3D this spring? Probably.  Yes, I have spent the infamous three hours and 14 minutes watching this film previously (ok, many times previously). However, I just can’t resist seeing it on the big screen again. For me, the draw isn’t so much for the 3D thrill, but rather for the nostalgia of the movie itself. Why not revisit an old favorite but on the big screen?

What do you think about companies like Disney and Disney Pixar cashing in on old hits re-released? Do you plan to see any of the 3D re-releases in 2012 and 2013? This list may tempt you: Finding Nemo, Monsters, Inc. and The Little Mermaid. Non-Disney 3D releases expected for this year are: Godzilla, Madagascar 3, Men in Black 3, Untitled Spider-man Reboot, and Untitled Batman Project.

***

Bio: After receiving a B.A. in communications, and briefly working at a TV production studio, Andrea began volunteering abroad. This lead her to work in the non-profit world, where she was fortunate enough to learn about international education, women’s empowerment and social issues for the elderly, while traveling to over a dozen countries.  Since joining BurrellesLuce in 2011, Andrea is excited to share her thoughts and views on branding, social media, and communications with the growing Fresh Ideas audience, as well as her passion for cultural awareness, volunteerism, and sustainable efforts. Twitter: @AndreaCorbo; Facebook: BurrellesLuce; LinkedIn: BurrellesLuce

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

Battles Rage Over Content, as Netflix Changes the Game in the Web TV and Streaming Video Space Once Again

Tuesday, December 7th, 2010

ba-netflix0811_f_SFCG1281474279With the help of Wikipedia, I learned the different types of battles that are fought. If you’ve been following what is going on in the latest turf wars between the cable providers (Time Warner Cable, Comcast), online providers (Netflix, Hulu) and media Companies (Fox, CBS) – you’d see very different strategies deployed by each side. All have one common goal in mind…control the distribution of entertainment to consumers, and all seems fair in this war. 

A “battle of attrition” aims to inflict losses on an enemy that are less sustainable compared to one’s own losses.

According to this New York Times, Netflix recently made a bold move by launching a new “streaming only” service, offering unlimited streaming movies and TV shows for a mere $7.99 a month. Also, in addition to Netflix paying the Post Office a whopping $500 million dollars a year in postage to mail out their signature red envelopes filled with disks, they will now pay studios another hefty sum for rights to their movies by recently completing a combined deal with Paramount, MGM and Lionsgate for one billion dollars. This does not include deals Netflix made earlier in the year with other major studios, such as Sony, Warner Brothers, Universal and 20th Century Fox.

So why are cable providers like Time Warner Cable and Comcast getting hot under the collar? Let’s take a closer look:

Netflix currently pays Starz, a pay TV channel, about 15 cents a month for each subscriber (which allows their customers to watch streaming movies from Sony and Disney), pennies compared to the $4 to $5 a month that cable and satellite owners pay for access to Starz, according to Rich Greenfield, an analyst at BTIG Research.

These types of deals, which allow consumers to access a larger catalogue of movies and bypass their local cable provider by accessing them online, couldn’t come at a worse time for companies like Time Warner Cable and Comcast. Cable providers already reported a net loss of 119,000 customers in the third quarter of 2010, the largest decline in 30 years.

A “battle of envelopment” involves an attack on one or both flanks.

Comcast is fighting back on two fronts by slapping Level 3 Communications, a provider of internet backbone services, which handles Netflix content, with “additional traffic fees.” Incidentally, Comcast, who’s acquisition of NBC is imminent, already competes directly with Netflix through their new acquisition of Hulu (Comcast owns 32 percent stake in Hulu). The rate hike could easily be seen as a way for Comcast to milk their competition, however, they can make the argument that Netflix’s massive volume is overtaxing their system and therefore should pay more. A recent study by Sandvine, a broadband equipment maker, showed that Netflix’s 16 million customers accounted for more than 20 percent of all Internet download traffic in North America during peak evening hours)

A “battle of encounter” is a meeting engagement where the opposing sides collide in the field without either having prepared their attack or defense.

If all of this wasn’t enough to make cable executives nervous, Netflix followed up their unlimited streaming offer by announcing a deal with newly formed film studio, FilmDistrict. As highlighted in this New York Observer article, the part of this deal that could prove to be a game changer is that it doesn’t include the standard “pay TV window” wherein new releases go to the cable industry first, then premier on Netlifx a few months later. 

According to The New York Post, Netflix is also in talks with studios about gaining access to “current episodes” of primetime TV shows and is willing to pay between $70,000 and $100,000 per episode. This is a first since Netflix has always offered only TV shows from past seasons.

Through all of this, media companies have been in constant negotiations with all of the “content distributors” – cable providers (Time Warner Cable and Comcast) and online providers (Netflix) – with behemoths like Google, Sony and Apple waiting in the wings as all three plan to compete in the game of online streaming distribution. Google, however, has already met heavy resistance from the networks. ABC, CBS, and NBC who all said they would not allow Google TV to stream full episodes of their shows. This should make for some interesting future negotiations between the two sides. But I wouldn’t be surprised if the networks suddenly changed their mind if Google TV’s relatively new service begins to take off.

A “battle of annihilation” is one in which the defeated party is destroyed in the field.

So what about the consumer, the eyeballs everyone’s vying for in all of this? I for one couldn’t be happier with all of the choices I suddenly have to watch movies or TV shows. The Internet is once again threatening the “middleman,” or, as I like to think of it, just another case of the Internet once again replacing one of the “brokers” of the world. We’ve seen it happen to some extent with real estate, stock trading … and now entertainment.  For 30 years cable providers have been the “brokers” for entertainment, bringing media and consumers together. It appears, for the moment at least, another “broker” is in jeopardy of once again being replaced by the Internet.

So what are your thoughts? Who do you think will win the on-going battle? Are you happy with the choices you have to access entertainment content? Please share your thoughts with me and the readers of BurrellesLuce Fresh Ideas.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

Landmark Entertainment Deals Ring in the New Year

Monday, January 11th, 2010

Champagne bottle ready for celebrationThe drama that unfolded in the media and entertainment world the last week of 2009 and the first week of 2010 marks just the beginning of what should be a very interesting year. Entertainment content providers, mainly the networks and movie studios and subscription based services that distribute their content (e.g., pay-cable providers and DVD retailers) begin a year that may well be filled with much wheeling and dealing:

News Corp, Fox Networks parent company, and Time Warner struck a deal at the eleventh hour on Dec 31, settling a retransmission fee dispute that has been raging for months. Fox threatened to force cable TV providers Time Warner Cable and Brighthouse Network to drop their broadcast signal which would have prevented over 6 million cable subscribers from watching their programming including: NFL games, college football’s Sugar Bowl, and America’s most watched TV series, American Idol. The thought of having live sports blacked out on New Year’s Day, especially college football, was unimaginable to me in the not so distant past.

Early last week Warner Brothers struck a deal ending a spirited dispute with Netflix that began in August 2009. Warner Brothers requested that Netflix wait 28 days before releasing movies on their rental service so Warner Brothers could realize higher DVD sales. (On average 75 percent of total  DVD sales occur in the first month of the release.) In exchange, Warner Brothers has agreed to make more of their titles available on Netflix streaming service. http://latimesblogs.latimes.com/entertainmentnewsbuzz/2010/01/warner-bros-new-releases-to-stay-off-netflix-for-28-days.html

The News Corp. Time Warner deal is sure to precede several others coming from rival network providers CBS, ABC-Disney, and NBC looking to increase their fees.  And the Warner Brothers Netflix deal should set a precedent for other studios to restructure current and future deals with DVD retailers.  http://www.businessweek.com/news/2010-01-04/time-warner-cable-fox-deal-may-cost-cable-5-billion-update2-.html

Not all of these disputes ended happily, however. Scripps Network actually pulled the plug on the Food Network and HGTV affecting 3.1 million Cablevision subscribers after the two sides failed to reach an agreement over fees. http://mediadecoder.blogs.nytimes.com/2010/01/06/scripps-reports-progress-in-food-network-carriage-fight/

With executives unsure about how to monetize their web content or how they will adapt to multiple devices and platforms – the one thing they seem pretty certain of these days is that they are the ones producing the fuel that keeps this machine moving. Or Maybe we just took our entertainment for granted over the years and expected it to be within our constitutional rights to turn on channel 2 (CBS-New York) to watch the World Series or channel 5 (Fox-New York) to watch the Family Guy at no additional charge. We never thought twice about paying for a movie, whether at the box office, rental fees, or DVD purchases. And since its inception, we’ve always paid a premium for cable programming.

So maybe it’s time we view all content as equals regardless of whether we’re being entertained by Peter Griffin (Family Guy), George Clooney, or Derek Jeter. I would just like to watch what I want when I want – and for that I’m willing to pay a little more.

How are these recent negotiations affecting your PR and marketing efforts? On a personal level, are you willing to pay more for content if it means you get to access your favorite shows? Share your thoughts with the readers of BurrellesLuce Fresh Ideas.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

Entertainment Companies Step Up: Online Video Watching Now More Popular than Social Networks

Monday, August 17th, 2009

The good folks at Facebook and Twitter can rest easy, the fact that online video watching edged out social networking in a recent survey by Pew Internet and American Life Project is just a testament to how wildly popular online video watching has recently become. According to the survey 62 percent of American, adult Internet users said they watched online video on sites like YouTube compared to 46 percent who said they were active on social networking sites.

More fuel will soon be added to this surge in online video watching as more content providers latch on to an already booming space. With more people cutting back on their cable subscriptions, 23 percent who watch TV and movies online are connecting their computers to their TVs and bringing web video into their living rooms. Big name content providers are taking notice and are positioning themselves to take advantage of this trend.

video-search-engine_id371299_size430.jpgNetflix, through its “Watch Instantly” feature, already offers access to 12,000+ TV shows and movies on a variety of devices from content providers such as Disney, CBS and MTV Networks. Multichannel News wrote a story a few days ago of a rumor that “Netflix’s ‘Watch Instantly’ streaming service will soon be offered on Apple iPhones and iPod touch devices and the Nintendo Wii gaming console.” 1

YouTube recently decided to add a feature called “News Near You,” where they use the Internet address of a visitor’s computer to determine the user’s location, and if any “news outlet partners” are located in a 100 mile radius. If so, news sources that have agreed to become video suppliers display seven days of local videos. The site is promoting videos from ABC News, Associated Press and Reuters.

CBS, HBO, and Cinemax have all recently agreed to participate in Comcast’s “On Demand Online” trial (part of Time Warner’s “TV Everywhere” initiative) by providing online content to its subscriber base. “The trial is aimed at testing out authentication technology which asks pay-TV subscribers to identify themselves before allowing access to online content at sites such as Comcast.net.”

In an interview Tuesday, Quincy Smith, chief executive of CBS Interactive said, “The company thinks of this deal as a way to extend the broadcast universe online by marrying the reach and frequency of the broadcast business with the ROI metrics of the online world.” 2 This is a way to extend the TV economics online. The other three major TV Networks, Fox, NBC and ABC, are already providing shows and movies through online service Hulu.

Whew! That’s a lot of online content coming our way (Even BurrellesLuce is getting in on the act — We recently announced the addition of robust online video to our monitoring set). It certainly will be interesting to watch how all of this unfolds over the next year or two. This 24/7 smorgasbord of online videos is sure to cause a little indigestion, so please practice moderation and remember to unplug every now and then and read a book… Sorry, eBooks, using Kindle, don’t count.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

Watch and Learn: TV’s Response to a Paradigm Shift About to Unfold

Wednesday, May 13th, 2009

1464576910_e7c36726dfAnybody who watched late night TV in the late 70’s remembers the words: “this concludes our broadcast day,” followed by a rendition of the Star Spangled Banner, and finally a steady dose of “snow” (which for many of us acted more like an alarm clock in the middle of the night) until the broadcast finally resumed the following morning.

Thirty years later, we’ve come a long way with TV, but something tells me we haven’t seen anything yet…

With consumers’ media consumption habits seemingly in a perpetual state of change, TV is at a crossroads. To avoid risking a fate similar to other traditional media that didn’t react fast enough, TV executives appear intent on adapting quickly to the changing habits of their viewers.

During my recent trip to England, I came across an article in last week’s UK Sunday Times, “Can You Have Too Much Television in America?,” describing U.S. broadcasters as taking nothing for granted when it comes to viewership. The article goes on to say that, with the average U.S. home tuning-in for nearly seven hours a day, broadcasters are already working on the remaining 17 hours with a range of mobile TV services that promise live broadcasts on phones, laptops and in-car screens.

Upon my return to the U.S., I thought I would check the validity of the UK Times article with some hard facts from Nielsen. According to Nielsen, American consumers are watching more than 151 hours per month – an all time high – another three hours on the Internet and four hours using hand held devices.

Beginning with the official end of analog TV on June 12th, with the conversion to digital transmission, the rest of 2009 is sure to bring some of the most revolutionary changes television has ever seen. Time Warner recently announced they’ve slated the second half of 2009 to begin a trial with several distributors for their “TV Everywhere” initiative (the ability to watch TV anywhere, on any device, at anytime). As of April 30, Disney finally agreed to join NBC and Fox as a joint venture partner and equity owner of Hulu, a website that offers commercial-supported streaming video of TV shows and movies.

The stars seem to be aligning for what should be an interesting metamorphosis of a medium that has been around for seventy years. It will be interesting to see where television finds its future niche. Will it be in a wave of mobile video, fueled by an explosion of device subscriptions (a staggering 257 million in the US)? Or will it be the home computer or laptop used by those who prefer to watch their favorite shows on something larger than a three inch screen? Or perhaps it will be the good old-fashioned television set, the only household appliance seemingly getting bigger?

For now the numbers support the notion that when it comes to television, the more things change the more they stay the same. Who knows they might even bring back the Star Spangled Banner. What are your thoughts regarding TV’s paradigm shift? The folks at BurrellesLuce and I would love to know.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark