Archive for ‘Copyright’:


BurrellesLuce Backs Media in AP Lawsuit

Wednesday, February 27th, 2013

The advent of digital technology has created some pretty interesting debates over the fair use of copyrighted content and how publishers can be paid for their news contributions and protect their copyrights.

By violating copyright – even inadvertently – PR professionals can expose their organization, clients, and constituents to a number of liabilities. That is why BurrellesLuce has worked directly with publishers and other content providers (for close to 30 years) to establish use agreements that pay publishers royalty fees and allow our customers worry-free access to copyrighted content.

We are staunch supporters of commercial use of content with the expectation that those providing a similar services to ours should also pay for the use of the content. We are also long-time members of the The Software and Industry Information Association (SIIA) and believe that people, including PR and communications practitioners, should pay for commercial use of content. We have had a turnkey copyright compliance program in place since 2008 and we work to educate our customers on copyright compliance and the proper use of licensed content.

The same cannot be said for other companies in the media monitoring and evaluation space. Some aggregators, posing as monitoring services or search engines – depending on what best serves their position of the day – are not curating content, but archiving and hosting a database of publisher’s content. This creates challenges for PR and marketing pros, and some media monitoring firms expose their clients to potential liability.

At BurrellesLuce we curate content on behalf of our clients and charge a royalty. Those royalties go back to the publishers. PR professionals are understanding, more and more, why these measures are necessary. They recognize the difference between a genuine media monitoring service and an aggregator. They realize they may be exposing their organization, as well as their clients, to substantial copyright liability by using the latter.

The difference is best outlined in an article by Neiman Journalism Labs, which discusses the difference between search engines and aggregators.  A search engine, like Google and its “free” business model, typically provides links to the original content and pays a licencing fee to the copyright owners, while aggregators repackage the publishers’ copyrighted material, send it to their customers, and charge their customers without paying a royalty to the publishers.  As a genuine full-service media monitor, BurrellesLuce uses a business model that ensures that the publishers get paid for the use of their copyrighted content, and gives our customers the peace of mind that comes with compliance with the law.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

PR and Fair-Use: What Practitioners Should Know

Thursday, January 31st, 2013

Crumpled Copyright

January 2013

As a PR and communications professional you’re no stranger to disseminating information to your constituents. What you may not be familiar with, however, is copyright compliance and the effects sharing protected content may have on you and your clients.

“Most blogs and online sources are subject to copyright and are not in the public domain. Fair-use allows for limited use of content with proper citation depending on the purpose and character of the use, the nature of the copyrighted work, how much of the content is used relative to the work as a whole, and whether the use will affect the potential market for or value of the content. Who is sharing and using the content also is considered when determining if the use falls under the fair-use doctrine,” explains this Copyright Compliance Primer from BurrellesLuce.

In this newsletter, we will explore with you the 4 Ps of copyright compliance:

  • Proper Sharing
  • Proper Copying
  • Proper Citation
  • Proper Monitoring and Distribution

Read more on of this BurrellesLuce newsletter – PR and Fair-Use: What Practitioners Should Know.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

BurrellesLuce Complimentary Webinar: Copyright Compliance – What Every Media Relations Professional Should Know

Friday, December 7th, 2012

BurrellesLuce Complimentary Webinar: Copyright Compliance - What Every Media Relations Professional Should KnowCopyright Compliance What Every Media Relations Professional Should Know.

When: Tuesday, December 11, 2012

Time: 1pm EST

Register Now!

As a communications or PR practitioner, you are under increasing pressure to prove the value of what you do. Now, with technology and the availability of digital content, the line between sharing and plagiarizing becomes increasingly blurred.

Anyone can pull material from the Internet, share it, and declare it their own. It is easy for organizations and professionals to unwittingly fall into the plagiarism trap. The consequences of copyright infringement also are serious and content providers are enforcing laws to protect and manage the rights of their content.

Join BurrellesLuce and Wilma K. Mathews, head of the IABC ethics committee and a respected faculty member at the Walter Cronkite School of Journalism & Mass Communication, for this 60-minute educational webinar, “Copyright Compliance: What Every Media Relations Professional Should Know.” 

In this webinar, Wilma will review plagiarism and copyright violations, using real-life examples to explain why it is important to educate yourself, your staff and employees about both.

During the session you will learn:

  • The difference between plagiarism and copyright infringement.
  • How the Internet is making everyone a plagiarist.
  • How writers may be putting their companies in jeopardy.
  • How to check for plagiarism or copyright infringement.

Register Now!

Moderator:
Johna Burke, senior vice president, BurrellesLuce

Space is limited. Sign up now for this free webinar, “Copyright Compliance: What Every Media Relations Professional Should Know.” If we are unable to accept your registration, an on-demand presentation will be available for review after the event at www.burrellesluce.com .

***

Wilma MathewsWilma K. Mathews is a fellow and accredited member of the International Association of Business Communicators (IABC). Mathews currently serves as chair of the IABC Ethics Committee. She previously served as chair of the IABC Research Foundation and the Accreditation Council, and twice was a member of the IABC executive board. She is a Gold Quill winner for media relations and writing. She is co-author of On Deadline: Managing Media Relations.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

Twitter’s ‘Innovators Patent Agreement’ to Give Control of Software Patents Back to Its Engineers

Friday, April 20th, 2012

 In the 1960’s, Robert Kearns, the inventor of the intermittent windshield wiper, battled the auto industry over licensing agreements and accusing them of stealing his invention. Later, his story was made into the movie, “Flash of Genius,” starring Greg Kinnear, as described in Today Movies.

Earlier this week, Twitter announced they would commit to their employees, and release the Innovators Patent Agreement (IPA) – a new way to do patent assignment that would keep control in the hands of its engineers and designers.  This is a revolutionary approach by Twitter since typically engineers and designers are required to sign an agreement with their company that gives that company any patents filed related to the employee’s work.  The Atlantic reports that part of Twitters pledge from Twitter’s IPA reads as follows: “[Twitter] will not use the patents from employees’ inventions in offensive litigation without their permission. What’s more, this control flows with the patents, so if we sold them to others, they could only use them as the inventor intended.”

There’s no surprise tech and intellectual property writers and thinkers are jumping for joy, and rightfully so, with many feeling it’s been a long time coming. Twitter also intends to reach out to other companies to discuss the IPA with the hopes that it will catch on and eventually become the norm.  (I wonder if they will Tweet the other tech companies?)

If Robert Kearns had Twitter’s IPA to rely on, it would have saved him 20 years of legal headaches. He would have received full and immediate patent rights for the design and invention of a device that has been used in virtually every car from 1969 to present.  Eventually he did win significant court settlements ($10 million from Ford and $30 million from Chrysler).

Who knows how differently Robert Kearns’s life would have turned out with all of the sudden wealth, and who knows how this new approach to software patent control would affect our developers and engineers in the future. The difference now is they can control the destinies of their own ideas … and all the perks that come along with them.

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark

In PR and the Media: April 17, 2012

Tuesday, April 17th, 2012

A daily round-up of what’s trending in PR and the Media.

1. Hulu Plus hits 2 Million Subscribers, report says ”Hulu Plus had about 1.5 million subscribers in January, and has been averaging about 1 million new subscribers each year. That figure appears to be on the rise.” (CNET)

 

2. Copyright conundrum in Oracle-Google case: Is a computer language fair game? ”The final outcome of Oracle-Google trial will determine whether computer programming languages are subject to copyright law.” (CNET)

 

3. NYC Pressures Omnicom For Workplace Diversity “The city’s Office of the Comptroller has asked four holding companies — Omnicom, Interpublic Group, WPP and Publicis — to publicly disclose detailed submissions required by the U.S. Equal Employment Opportunity Commission to show just how diverse — or not — their workforces are.” (MediaPost)

 

4. U.S. Consumers Receptive to Social Media Appearing on Their TV Screens, According to Accenture Study ”Social media is showing signs of connecting with TV viewers as nearly two-thirds (64 percent) of U.S. consumers surveyed recall seeing social media symbols such as Facebook “Likes” while watching television, according to an Accenture study.” (MarketWatch)

 

5. NAB: Adobe Study Shows High Online Ad Engagement ”Completion rates for mid-roll online ads climb to 87% in second half of 2011.” (Broadcast and Cable)

  • Facebook
  • Twitter
  • LinkedIn
  • Share/Bookmark